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NEW QUESTION: 1
You have a server named Server1 that runs Windows Server 2012 R2 and a 64-bit UEFI-based computer named Computer1 that runs Windows 8.1 Enterprise.
Server1 is a Windows Deployment Services (WDS) server.
From the installation media of the 32-bit version of Windows 8.1, you add a boot image named Image1 to WDS.
You need to use WDS to capture an image of Computer1.
What should you do first on Server1?
A. Run wdsutil.exe and specify the New-CaptureImage and the Architecture:x64 parameters.
B. Add an install image from the Windows 8.1 installation media.
C. Add a boot image from the Windows Server 2012 R2 installation media.
D. Run wdsutil.exe and specify the New-CaptureImage and the Architecture:x86 parameters.
Answer: C
Explanation:
References: https://technet.microsoft.com/en-us/library/hh290675(v=ws.10).aspx

NEW QUESTION: 2
個人データも保持する情報システムでセキュリティ違反が発生しました。 GDPRによると、コントローラーが最初に行うべきことは何ですか？
A. 違反が個人データの損失または違法な処理につながったかどうかを確認します
B. データ保護影響評価（DPIA）を使用して、データ主体への悪影響のリスクを評価します
C. 機密性の高い個人データが違法に処理されたかどうかを評価します
D. すべてのデータ主体および関連する監督当局に違反を直ちに報告します
Answer: A
Explanation:
Ascertain whether the breach may have resulted in loss or unlawful processing of personal data: Correct. The very first thing that needs to be done is ascertain that the security incident is in fact a personal data breach. (Literature: A, Chapter 5) Assess the risk of adverse effects to the data subjects using a data protection impact assessment (DPIA): Incorrect. A DPIA is conducted when designing personal data processing operations. It is not a part of the procedure for a data breach.
Assess whether personal data of a sensitive nature has or may have been unlawfully processed. Incorrect. This is the next step if the incident proves to be a personal data breach - ascertain what type of data breach.
Report the breach immediately to all data subjects and the relevant supervisory authority. Incorrect. Whether the data breach needs to be reported and to whom depends on whether it is a data breach and if so, the type of data breach.

NEW QUESTION: 3
How many copies can RecoverPoint maintain in a MetroPoint topology?
A. 0
B. 1
C. 2
D. 3
Answer: D

NEW QUESTION: 4
Art is visible. However, everything one sees is filtered through certain conditions, some of them historical, and others, natural. The historical conditions include the material, which is used - oil, colors, and the canvas; second, a certain style, i.e., a system of rules by which things visible are submitted a priori. There can be a general style, for example, the style of Impressionism, or a particular style, for example, the individual ways in which two painters, both impressionists, paint. The natural conditions include certain unchanging psychological laws of sight, for instance, the effects of colors or optical illusions.
The conditions of art are nothing but a particular way of interpreting reality. To understand this, one can examine the difference between the classical Greek and the classical Egyptian styles. For the Greeks, the reality of the visible was given by the perspective and the situation in which the object appears; for that reason, they presented a person in his individual movements. For the Egyptians, however, this was only the appearance of a transitory moment, which, according to their beliefs, was not real. Therefore, the Egyptians searched for the permanent essence and the typical character in their depiction of an object. For the Egyptians, Greek art was an illusion; for the Greeks, on the other hand, Egyptian art was unrealistic constructivism.
The way in which reality appears in art must not be regarded on its own. It is affected by many other systems of recognizing reality, including the political, religious, economic, intellectual, and social - in short, all the phenomena of human life. Moreover, art is always of a certain epoch, with its particular conception of reality. Thus, when discussing, for example, the art of ancient myth, of medieval Christianity, or that of the technological age, one must be aware that myth, Christianity, or technology was the most salient feature of the epoch.
It is paradoxical to understand art as some kind of copy of the fields of experience connected with it. So, for example, it is meaningless for the work of art as such if one compares the landscape of a painting with the landscape, which served the artist as his model. Even if the artist had tried to make what he painted as similar as possible to the model he used, the landscape which he saw is only the matter from which something completely different emerges since he has submitted its view to the a priori conditions of art:
namely to the material used (colors, canvas, etc.), to his style, and even to the fact that he paints on a flat surface. Thus one must contemplate a work of art by itself. Even if it is connected to other fields of experience it nevertheless displays something unique which appears in that piece of art and there alone.
The author cites the example of psychological laws of sight, for instance, the effects of colors or optical illusions in order to illustrate
A. Laws of history, which are not affected by nature
B. Laws of nature, which change history
C. Laws of history, which are affected by nature
D. Laws of nature, which are affected by history
E. Laws of nature, which are not affected by history
Answer: E
Explanation:
Explanation/Reference:
Explanation:
The best answer is A.
The author details two kinds of conditions, historical and natural. The natural conditions are said to be unchanging, therefore not affected by history.