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NEW QUESTION: 1
In what situation will the Close Application context menu option be shown and enabled (not grayed out)?
A. when right-clicking on the application properties
B. when right-clicking on an application header in the Applications Navigator
C. when right-clicking on an application in the package explorer Eclipse view
D. when right-clicking on any design element group for an open application
Answer: B

NEW QUESTION: 2
The origin of the attempt to distinguish early from modern music and to establish the canons of
performance practice for each lies in the eighteenth century. In the first half of that century, when
Telemann and Bach ran the collegium musicum in Leipzig, Germany, they performed their own and other
modern music. In the German universities of the early twentieth century, however, the reconstituted
collegium musicum devoted itself to performing music from the centuries before the beginning of the
"standard repertory," by which was understood music from before the time of Bach and Handel. Alongside
this modern collegium musicum, German musicologists developed the historical sub-discipline known as
"performance practice," which included the deciphering of obsolete musical notation and its transcription
into modern notation, the study of obsolete instruments, and the re-establishment of lost oral traditions
associated with those forgotten repertories. The cutoff date for this study was understood to be around
1 750, the year of Bach's death, since the music of Bach, Handel, Telemann and their contemporaries did
call for obsolete instruments and voices and unannotated performing traditions-for instance, the
spontaneous realization of vocal and instrumental melodic ornamentation. Furthermore, with a few
exceptions, late baroque music had ceased to be performed for nearly a century, and the orally
transmitted performing traditions associated with it were forgotten as a result. In contrast, the notation in
the music of Haydn and Mozart from the second half of the eighteenth century was more complete than in
the earlier styles, and the instruments seemed familiar, so no "special" knowledge appeared necessary.
Also, the music of Haydn and Mozart, having never ceased to be performed, had maintained some kind of
oral tradition of performance practice. Beginning around 1960, however, early-music performers began to
encroach upon the music of Haydn, Mozart, and Beethoven. Why? Scholars studying performance
practice had discovered that the living oral traditions associated with the Viennese classics frequently
could not be traced to the eighteenth century and that there were nearly as many performance mysteries
to solve for music after 1750 as for earlier repertories. Furthermore, more and more young singers and
instrumentalists became attracted to early music, and as many of them graduated from student- amateur
to professional status, the technical level of early-music performances took a giant leap forward. As
professional early-music groups, building on these developments, expanded their repertories to include
later music, the mainstream protested vehemently. The differences between the two camps extended
beyond the question of which instruments to use to the more critical matter of style and delivery. At the
heart of their disagreement is whether historical knowledge about performing traditions is a prerequisite
for proper interpretation of music or whether it merely creates an obstacle to inspired musical tradition.
It can be inferred from the passage that the "standard repertory" mentioned in line 15 might have included
music that was written
A. before the time of Handel
B. by the performance-practice composers
C. before 1700
D. during the early twentieth century
E. to be played using obsolete instruments
Answer: E
Explanation:
It is reasonably inferable from the first paragraph as a whole that the "standard repertory" mentioned in
line 15 refers to the music of Bach and Telemann as well as to other ("modern") music from their time (first
half of the eighteenth century). In the second paragraph, the author mentions that the music of Bach,
Telemann, and their contemporaries called for obsolete instruments. Thus, the standard repertory might
have included music that called for the use of obsolete instruments, as choiceE.indicates.

NEW QUESTION: 3
主要な利害関係者は、プロジェクト管理者がリソースを割り当てる権限を持っているリソース管理計画内で識別することができません。プロジェクトマネージャーが質問に答えるために使用する必要があるのは次のどれですか？
A. プロジェクト管理計画
B. スタッフ配置マトリックス
C. プロジェクトスケジュール
D. プロジェクト憲章
Answer: A